Monday, 23 November 2015

PLEASURE BEACH - GO/DREAMER TO THE DAWN

I just subscribed to Flying Vinyl, a project that delivers 5 7 inch singles to your door every month (link below) and my first delivery today contained a number of gems including a single by Belfast five piece Pleasure Beach. 


The single features two tracks Go and Dreamer To The Dawn, both of which combine electronics, dreampop, an Arcade Fire feel and a huge sound and both tracks are fantastic. Dreamer To The Dawn especially sets the pulse racing with its marvellously and shamelessly massive chorus and Go is how Bruce Springsteen might have sounded if he'd come from Belfast and used synthesizers. As introductions go, this single is a cracker.



The band have just released a new e.p. featuring a remix of Go (video below), Dreamer To The Dawn (the title track) and Hayley and are supporting The Vaccines in December on their Belfast gig. Pleasure Beach are certainly a band to keep an eye on.



Pleasure Beach Soundcloud https://soundcloud.com/pleasurebeachband


SHARDS - SAD SAYONARA, GOODBYE

One of this year's most interesting new Scottish electronic bands Shards have returned with their third track Sad Sayonara, Goodbye (Errant Media) which is available as a free download from their Soundcloud page.

Shards continue their foray into the sound they have dubbed melancholitronica with Sad Sayonara, Goodbye and, to be honest, that's as good a name for this type of sound as any, Experimental, but with a pop twist, the song is a haunting track that builds and builds to a wonderful climax. As with Shards' previous two releases, Just To Get Something Started and Afterwards, Sad Sayonara, Goodbye has the ability to hook you in and keep you returning, time after time. As I said above, it's a free download too, so you really have to check it out.


Shards Sad Sayonara, Goodbye is releases on Errant Media and is available now as a free download

Errant Media Twitter https://twitter.com/errantmedia


Friday, 20 November 2015

LIVE REVIEW - NEW ORDER, O2 ACADEMY, GLASGOW, 19 NOVEMBER 2015

Music Complete is already rightly regarded by many as one of the great New Order albums, a spiritual successor to 1989's mighty career highpoint Technique. One of the most thrilling aspects of all this is the new vitality New Order have and that vitality was abundant at last night's show at the O2 Academy in Glasgow. I've seen New Order a few times, I've seen many, many gigs and this gig is the best I've ever seen New Order play and is undoubtedly one of the best concerts I've seen. This is more than a late career renaissance - this is New Order in their absolute prime.

Opener Singularity set the tone perfectly. What is already a driving track, mixing guitars with electronics like only they can, was transformed into a pummelling opener that got the packed venue going straightaway. It was some start and then they played Ceremony which is just about as good as anything at all gets. That song never loses its edge and is one of the most thrilling things you'll hear live. Mind you, the two couples who spent most of the gig talking until Blue Monday came on might disagree. Why do people do that? £40 for a ticket and all you do is chat to someone who can't hear you. Baffling and rather annoying. Anyway, I digress.



The show was in its stride straightaway and Crystal carried that on effortlessly. The film and lightshow are worth noting at this point. Most tracks had their own films and they all complimented the songs perfectly. The lightshow too was amongst the best I've seen. The band were regularly silhouetted leaving the music and its accompaniments as the focal point and it worked perfectly. A frankly spectacular version of one of my all time favourites 586 followed Crystal leading into Restless and Lonesome Tonight, the old and new merging perfectly. The way the Music Complete tracks seamlessly gel with the older classics says so much for this album.  Just when you thought this gig couldn't get any better, they then played Your Silent Face. I could have cried and might have done if I hadn't been so sweaty (it was like an oven in the venue). Your Silent Face is simply one of the most beautiful songs of all time.



New and old then mixed again with People On The Highline and Tutti Frutti both louder than war, dance epics that got the whole room moving as one. Even people at the bar were dancing. Following them with a belting Bizarre Love Triangle nearly took the roof off the place. No matter how much I try, I just can't get into Waiting For The Sirens' Call even when it is played in remixed form to fit the set so that was a slight lull, but the end of the main set more than compensated for that - Plastic, The Perfect Kiss, True Faith and Temptation. I'm repeating myself slightly, but it is worth pointing out that, amongst three of the greatest songs ever written, Plastic didn't sound out of place at all. Any chance to hear The Perfect Kiss should be taken and this current versions is as good as any they've done. True Faith always immediately takes me back to listening to it in my bedroom when I was 15 and it never fails to send armies of shivers down my spine. Following that with an epic, stunning versions of Temptation was almost cruel as it could easily have reduced many in the room to gibbering wrecks of joy. Thankfully, we all held it together and the room almost exploded with energy in what I saw people saying on Twitter post gig was one of the best live versions of Temptation ever. It's hard to disagree. Mesmerising.



The encore initially saw emotions of a different kind. Atmosphere was simply spellbinding. Footage from Anton Corbin's video interspersed with pictures of Ian Curtis and Joy Division played on the screens and the song was its usual stunning self. It has that rare ability to make you feel that you are the only person in the room, despite the heaving, sweaty masses around you. A truly intimate, magical moment. Love Will Tear Us Apart, again using footage of Joy Division and Curtis, followed and it took on a celebratory feel, somewhat at odds with the song I guess. A celebration of Ian Curtis, Joy Division and music generally. Our music, our bands. The talkative couples were then rewarded with a closing Blue Monday which still thrills despite its familiarity. A great end to what was a simply sensational show.

10 out of 10, 5 stars, perfection. 

Wednesday, 18 November 2015

KLOE - TOUCH

One of our New Bands of 2015, Kloe, (http://almostpredictablealmost1.blogspot.co.uk/2015/02/new-bands-2015-no-6-kloe.html) has released a new track today called Touch. 




Building on her two previous tracks Grip and Feel, Touch is a synth driven pop masterclass that has a real depth to it a huge sound and a superb chorus. It's only going to add to the Glaswegian's reputation and a song like Touch displays a real knack for electronic pop, which is always going to be a good thing. Check it out below:



Tuesday, 17 November 2015

TRACK OF THE DAY: TEEN - ALL ABOUT US

Teen are a four piece from New York who are about to release their third album Love Yes. All About Us is the lead single from that and it's a cracker. A combination of breathless, excitable vocals, a superb harmony part, a pop melody that will lodge itself in your brain and, most pleasingly, a riot of synths that are as bleepy and beepy as you'd like.


Balancing perfectly with the song's catchy, poppy vibe is its theme which deals with everyday misogyny and, as singer Teeny Lieberson says, it "(E)xplores a situation that I have dealt with many times; if sexism is not in your face and one isn't saying it outright, then it couldn't possibly be happening." 

Have a listen below and I'm sure you'll quickly agree that this is a superb track. The album Love Yes will follow on 19 February 2016.



Thursday, 12 November 2015

MOLLY NILSSON - ZENITH

Molly Nilsson is a Swedish born Berlin based artist whose sixth album Zenith has just been released on Night School Records, proving once again that the Glasgow based label can do little wrong. Zenith is a study in atmospheric pop music, offsetting dark emotional lyrics against sometimes surprisingly poppy arrangements, producing a quite intriguing and enjoyable album.


One aspect of the record that stands out immediately is its atmopshere. Cloudy, lo-fi synths dominate most tracks, lending them an dark, moody feel that fits snugly with Nilsson's lyrics. Occasionally, this feeling can seem repetitive, and perhaps the album is a track or two too long, but generally, the foggy atmosphere of the tracks really works. The first few tracks are as good an example of lo fi electropop that you'll hear. The Only Planet and the superb 1995 (below) are wonderful swirling electronic openers with the latter having a tasty distinct 80's pop sheen complete with a subtle saxophone break. It also uses Windows 95 as a nostalgic reference point which is quite wonderful. The album then picks up the pace through H.O.P.E, Mountain Time and Bunny Club, all of which are songs you must hear. Mountain Club somehow brings to mind a vibe of saying goodbye to a loved one boarding a steam train at a Cold War era Ostbanhof in Berlin, despite the fact I've never actually experienced that. 



The highlight of the album is the outstanding Happyness which is a grand, sweeping string laden affair that brings to mind the Pet Shop Boys at the peak of their doomed romanticism era around Behaviour. It's a stunning track and it demands repeated plays. The equally impressive and brilliantly titled Lovers Are Losers follows before the album takes a slight dip in quality with Clearblue and My Body as they both stick a bit too close to the atmosphere of the opening tracks without having any element that makes that stand out. Titanic, Bus 194 (All There Is) and Tomorrow get us back on track however, ending the album almost as strongly as it began.

Molly Nilsson - Zenith limited edition white vinyl (my own copy)

All told, Zenith is an excellent album, full of clever songwriting and production that reveals more and more with each listen. Rather than just being a set of good pop songs, it's a collection of multi-layered songs that draw you further and further into Molly Nilsson's world with each listen and, ultimately, that's no bad place to be.

Zenith by Molly Nilsson is available now on Night School Records on vinyl and cd

Molly Nilsson Facebook https://www.facebook.com/mollynilssonpage/?fref=ts


Friday, 6 November 2015

EYES OF OTHERS - NIGHTWALKING EP

I've already highlighted Eyes Of Others as one to watch both on here and on one of my other homes, Scottish Fiction. Proving that Edinburgh is as fertile a ground for electronic music as Glasgow is, Eyes Of Others produce striking synthpop mixed with a dancier feel and it just works. Their new e.p. Nightwalking is released today (6 November) and from beginning to end, it's a joy.



Opener When It Suits moves from 80's influenced synths to the type of soaring, slightly melancholic pop the Pet Shop Boys once specialised in and it sets the e.p. off on the right tack immediately. Rugged Bunch Of Hunks, which is the most Pet Shop Boys title the Pet Shop Boys have never used, is another superb track. Again, there's an 80's feel to the synth sounds but there are also distinct New Order like vibes, almost sounding like a lost Power, Corruption & Lies track in places which is ace. It's followed by the laid back synthpop meets dreampop Vibrates Inside You which is in one moment all floaty atmosphere and then in the next a powerful, guitar led wall of melody that is quite magnificent. We then end on Middles Meet which has a definite feel of early Depeche Mode to it both musically and lyrically, and, from this blog, that is nothing more than a high recommendation.



Nightwalking is an impressive addition to what is already an impressive back catalogue and it highlights the talent Eyes Of Others have for atmospheric, thoughtful synthpop. Definitely one you want to hear

Nightwalking e.p. by Eyes Of Others is out now on Club Fandango/INgrooves and is available from all the usual digital retailers including ITunes

Eyes Of Others Facebook https://www.facebook.com/myeyesofothers/?fref=ts
Eyes Of Others Soundcloud https://soundcloud.com/eyesofothers