WELL, IT'S ABOUT TIME - ULTRA THE 12" SINGLES BOXSET

 

Eleven months after the Songs Of Faith And Devotion The 12" Singles boxset, the Ultra The 12" Singles boxset has arrived. What's in it? Are there any surprises? Is it something rather lovely? Well, records, yes and very much yes are the answers. Let me explain.

As with the previous releases in this series, the 12" singles are housed in a thick cardboard box. The Useless hand has provided the inspiration for the covert art this time.

The rear of the box tells you what is inside.

As ever, we have the picture menu that shows what you'll find inside, including the three new 12" singles each of which we will come onto shortly.

There's a download card too. Put that beside the box and convince your friends that you have two boxsets and that one of them is really far away.

This review is just a look at the records, not a review of the music. As part of my ongoing what seemed a good idea at the time but it's only when you write about them do you realise just how many singles Depeche Mode have released project, the four Ultra era singles have each been reviewed. You can find them here:

Barrel Of A Gun - http://almostpredictablealmost1.blogspot.com/2021/06/depeche-mode-singles-1981-to-2021-part_30.html

It's No Good - http://almostpredictablealmost1.blogspot.com/2021/07/depeche-mode-singles-1981-to-2021-part.html

Home - http://almostpredictablealmost1.blogspot.com/2021/08/depeche-mode-singles-1981-to-2021-part.html

Useless - http://almostpredictablealmost1.blogspot.com/2021/08/depeche-mode-singles-1981-to-2021-part_13.html

First out of the box is Barrel Of A Gun. Once again, all of the packaging is faithfully reproduced. In the case of this record, there are some lovely touches. When the single was originally released, early pressings came with a silver inner sleeve. That's what you get here which is very nice. 

That's what it looks like on its own. 

A poster was also tucked into a few of the original releases and we get one of those here too. It's a lovely thing and just what you want if you've ever wondered what Fletch and Martin look like without faces.

The original 12" (the bottom one in the picture above) has a sticker in the top left telling you the names of the remixes. Here, as we got in the wonderful Violator The 12" Singles box, the sticker is included for you to stick on if you wish.

That's it above. Don't worry - (a) I've not stuck it on and (b) I know it shouldn't go there. I wouldn't do that to you. 

The sleeve is a gatefold just like the original. Dave is still chained to a radiator and Martin is ready to go deep sea diving.

Side A and the front cover are pictured above. Sadly, even a remastered Underworld Hard Mix still sounds like something that shouldn't have happened.

The rear sleeve is black and shiny which is marvellous but a bugger to photograph as you can see me in it which kind of ruins everything. I had to snap it from an odd angle as a result.

We only got one L12 in 1997 and it was this beauty.

L12BONG25 is a wonderful thing.

When It's No Good was first released, there was one 12", the first time Depeche Mode had not released an L12 since A Question Of Lust. Don't say "But what about Little 15?" Nobody knows if that single was released in any official capacity anywhere on earth.

Here, 12BONG26 is faithfully reproduced which means we have to sit through those remixes again. This song was crying out for a top notch, classic Depeche Mode 12" remix but sadly that just didn't happen.

Hang on - what's this? Well, for the first time ever, we have an L12BONG26. The single's original release saw two CD singles accompany the 12" and cassette single in the UK and to ensure that the remixes that appeared on the original LCD are included in this boxset, a 12" has been specially created. Now, Depeche Mode fans are probably the most relaxed fans of any band there is and they don't get bothered at all by things like catalogue numbers, so will anyone even be interested in the addition of a new L12 to the band's catalogue? I joke of course as the creation of the L12BONG26 catalogue number together with its two companions we'll look at shortly has annoyed some people. There are some collectors who won't buy the box meaning they will now have a gap in their collection and there are others who feel that this is a pointless rewriting of history. Fair enough. I'm very much in the group of people who think this is a pretty cool idea. Perhaps I'd feel differently if I didn't have the box.

The sleeve is based on the LCDBONG26 design and the labels are very nicely done. On Side A, we have It's No Good and Slowblow. On Side B (above), we get Slowblow (Darren Price Mix) and It's No Good (Bass Bounce Mix).  That is not the same tracklisting as LCDBONG26 but does mean that the two tracks on the A Side and the remix of Slowblow get a vinyl release. The Bass Bounce Mix of It's No Good is also known as the Dom T Mix and that already appears on the 12BONG26 in the boxset. The version on this record is 3 seconds longer. Quite what is in those three seconds is a mystery. The inclusion of a remix that is already in this boxset is the only negative point about this L12.

The Home 12" is naturally just the same as the original 12BONG27.

I do love those labels. 

Home sees the introduction of the second new L12, L12BONG27. It takes the four songs from CDBONG27 and LCDBONG27 that didn't make it onto the 12" at the time and gives them a vinyl release. On Side A (above), we have the single version of Home and Home (The Noodles And The Damage Done. The orange label is a very nice thing and reminds me of the promo CD for World In My Eyes. I really do need to get out more.

As with L12BONG26, the artwork for L12BONG27 is based on the LCD release. On Side B, we have the live versions of Barrel Of A Gun and It's No Good from the London Ultra party. The label is again a joy to behold.

The last single from Ultra was Useless and 12BONG28 is here in all its purple glory.

The tracklisting remains the same as the original release.

Talking of the original release, it had a sticker on the front of the 12" (see bottom record above). As with Barrel Of A Gun, we get the sticker inside the sleeve again to stick on if we wish. The addition of the sticker is another great touch and it's yet another example of the thought that has gone into these boxsets. It's pictured above but here's a close-up:

Finally, we have another new 12", L12BONG28.  It takes the five remixes of Useless that didn't get a vinyl release and grants them one. On Side A (above) we have Useless (Remix), Useless (Escape From Whenever: Parts 1 & 2!) and Useless (Cosmic Blues). The latter remix first appeared on CDBONG28 where it was called Cosmic Blues Mix. Wonder why that's not the case here? The artwork is based on LCDBONG28 and, yes, the labels are very nice too.

The rear sleeve is a superb thing isn't it? The two tracks on Side B are Useless (CJ Bolland Ultrasonar Mix) and Useless (Live), another recording from the Ultra party. The videos for Barrel Of A Gun and It's No Good that featured on the enhanced CDBONG28 and LCDBONG28 respectively don't appear on either 12" but that is entirely understandable.

The last part of the box is the reproduction poster and this time round it's the Useless advert that we get. 

As with all the 12" boxsets, this is expensive and arguably not that necessary if you have all the 12" singles already but, just like its predecessors, it is a thoroughly well thought out and well put together collection. The singles look and sound fantastic and the attention to detail both in an audio and visual sense is outstanding. The creation of three L12 singles is controversial but it makes sense when you see them in the context of the boxset. As an aside, it's interesting to note that the second It's No Good promo, PL12BONG26 is nowhere to be seen here.  Since this box was announced, it has in fact disappeared from the discography section on the official Depeche Mode site. The Club 69 mixes seem destined to remain unloved, unacknowledged and on promo only forever.

Will we wait 11 months for the Exciter boxset? And just how many 12" singles will be in that one? If all of the promos are reproduced, it's going to be a very large box indeed. 

MY JOY - DEPECHE MODE: SONGS OF FAITH AND DEVOTION: THE 12" SINGLES

 

When Songs Of Faith And Devotion was released, any lingering perceptions people held of them being a weedy electronic act were finally and permanently dispelled. Despite Violator's all conquering performance, Depeche Mode were still viewed with suspicion in their homeland and when I Feel You first appeared, it shocked not only Depeche Mode fans but also everyone else who heard it and was told it was Depeche Mode. While Songs Of Faith And Devotion is not as universally acclaimed as Violator is, it is still a hugely important album and one that is still an enthralling album from start to finish. The album's singles were all wonderful and three of them even charted in the Top Ten in Britain, their best singles-from-an-album chart performance ever.

The newest boxset in the Depeche Mode 12" reissues is the Songs Of Faith And Devotion one and that has been released today. Let's see what's inside.

As with the previous 12" boxsets, it recreates and celebrates the era quite marvellously. The front of the box (above) is a new take on I Feel You's iconic artwork.  Martin is on the left and Dave on the right (more of how we know this below) and Alan (beside Martin) and Fletch have been decapitated for some reason. Harsh. The back of the box looks like this:

As ever, it comes with one of those pointless paper menu things which acts like a picture menu in a restaurant where you don't speak the language? "How do you say play the limited edition 12" of Walking In My Shoes?" "I don't know - just point to it."

"No I said CONDEMNATION. God, don't these people speak (insert language?)"

The 12" singles are, as ever, beautifully and faithfully (lolz etc) reproduced. When I Feel You came out I was in my first year at Aberdeen University. The song debuted on Simon Mayo's Breakfast Show on Radio 1 and I recorded it and then played and rewound the tape (ask your grandparents) endlessly and much to the increasing distress of those who could still bear to hang around with me. When the singles came out, I bought and played them endlessly too, all the time wearing a selection of Depeche Mode t-shirts and being known as "Depeche Mode Dave" to some because I wasn't mature enough to wear actual adult clothes.

Fast forward 27 years and I'm currently listening to I Feel You on 12" while wearing a Depeche Mode t-shirt and relaying that anecdote to a bunch of people who know me as the bloke who writes a Depeche Mode blog. That's progress. I think.

Anyway, I'm not reviewing me thank God, I'm reviewing the singles. Future blog episodes will look at each single in turn (wait...come back) so I'm not going to review all the remixes today. Here's the I Feel You 12":

The cover shows the drawings of the band that would become the terrifying large metal things that hung behind the Devotional stage. Top left we have Alan with Dave to his right. Andy is below Dave and Martin bottom left under Alan. How do I know this? Well, other than Martin's picture having something like his hair, each drawing has the band member's birthday in the bottom right. Presumably Anton did this so that the permanently drunk band would be able to remember birthdays on the Devotional tour - either their own or everyone else's. The back of the 12" features Dave looking moody in Hamburg:

There is no inner sleeve here, just a paper one. Here's Side A of the record:

Even though that is just a big purple blob, I do like that. Side B  has another lovely label and tells us the tracks:

The Throb Mix is the standout for me here. The Babylon Mix is good but has a daft name. Not as daft as others in this box however. There was of course a limited edition 12" and it is a lovely looking gatefold. Here's the cover:

Alan and Dave minding their own business there while Martin and Fletch slope off to chat all things Basildon on the back:

The gatefold inner features two pictures:

On the left we see Alan and Dave back in Hamburg with a lifesize topless cartoon and on the right, all four lads together, all clearly hungover and with Martin standing in a very odd way. The front of the inner sleeve is wonderful:

It's a lovely thing. The other side of it is, well, black:

I show that for completeness sake and nothing else. The labels are again fantastic - here is Side A:

As you can see, it mirrors the image on the inner sleeve. Things like that probably shouldn't make me happy, but they do. If you are reading this then you are likely nodding in agreement. The B-Side label is below:

Fantastic. These 12" singles were easy to get at the time, unlike the In Your Room ones and the recreations here are spot on. There are two Brian Eno remixes on this 12" by the way which are quite interesting. They Eno here and there, burbling and glugging around in that Eno-y way but are pretty decent if you like that sort of thing.

The second single, and the only one to fail to crack the UK Top Ten fact fans, is the godlike genius of Walking In My Shoes. The standard 12" has a lovely shiny sleeve:

As you can see, it features the topless, terrifying part woman part demonic hellbird that featured on the live footage accompanying the song. The same beast features all over this single. Here she is on the back sleeve too:

The original pressing of the singles had a matt cover with spot gloss (thanks Scott) parts such as the barcode section above and the repressing didn't. The boxset version is a recreation of the original pressing. There is no inner sleeve here, just a paper one and Side A's label looks like this:

Side B lets Side A take the arty glory and instead shoulders the burden of displaying actual information:

On the music side of things, for this is after all about a band who play music, the b-side My Joy is a track you don't want to miss. It's a hidden Depeche classic. There is only one remix of the title track here and that is the Grungy Gonads Mix.

That name doesn't improve with age.

The limited 12" is another wonderful thing and I had, and still have, a T-shirt with this cover:

The back is another matt/spot gloss affair:

Like I Feel You, this is a gatefold 12":

The Page 3 with a demonic bird head theme continues on the inner sleeve:

The other side of the inner sleeve is nudity free; in fact it's free of anything other than the catalogue number - L12BONG22:

I really like that. Side A of the actual record continues the label theme from the standard 12":

Again, Side B tells you everything you need to know:

There are four remixes of Walking In My Shoes on the record and they are all great although the Ambient Whale Mix is a bit bland.

The next single was the much heralded Depeche Mode Do Gospel Condemnation and this release introduced us to the Devotional tour which the band had already kicked off by the time the single came out. The sleeve takes a still from the film used when the song played on the tour:

The rear prints the lyrics which look like they've been drawn by someone holding a pencil between their toes rather than their fingers:

The original issue of the single featured a deluxe inner sleeve and that's what we get here. "Deluxe" seems an odd word to use as it's not as if it gets you access to a lounge or free booze, but its a nice thing anyway. It uses another still from the tour film:

The word "deluxe" is further tested by the rear of the inner sleeve whihc is once again just black:

Perhaps its shiny nature gives the additonal luxury purchasers of the re-pressed version missed out on thus ruining their lives. The record features 5 tracks including the Paris Mix of Condemnation, so called because the remix was finished off in a studio in Dusseldorf (hilarious), the at-that-point unreleased Jazz Mix of Death's Door and three remixes of Rush. The first two tracks appear on Side A

and in a move that will surprise nobody, the other three feature on Side B:

The limited edition 12" was a real thrill when it was released. Instead of being called Condemnation, it's called Depeche Mode Live and it features four tracks, Condemnation, Personal Jesus, Enjoy The Silence and Halo, all live from the gig at Forum in Milan on 4th June 1993.

It's another gatefold too. On the cover (above) we have Dave in action and on the back, with another matt/spot gloss effort, we see Martin belting his way through Condemnation:

The gatefold shows all four band members in hot live action on the left and Dave captured wonderfully by Anton in full rock star mode on the right:

Wonderful. The deluxe inner sleeve was again only available with the first pressing of the 12". If you bought later pressings, the record was thrown into the street and you were made to pick it up while people laughed at you outside HMV. Thankfully, the boxset reproduces the deluxe version although is it REALLY deluxe if it's just the same as the standard 12"?

The same question applies to the other side of the inner sleeve:

Side A features Condemnation and Personal Jesus

and, ever the traditionalists, the other two songs pop up on Side B:

The final single from the album was In Your Room, released in its Zephyr Mix form, a mix that would haunt live versions of the song for years after Devotional until they saw sense on the last tour. It featured on the 12" in 7" and Extended form along with two other In Your Room remixes and a comically bad remix of Higher Love, the ironically titled Adrenaline Mix. The cover uses the light bulb motif from the Devotional tour film and the song's video:

Here's the rear:

Again, lucky purchasers of the first pressing could bask in the glow of having a deluxe inner sleeve, reproduced here. It looks like this:

"Where's the luxury," you scream, "It must be on the other side. SHOW US DAVID." 

No, it's black too. At this point, I should let you all know that I'm veery much aware that I'm posting pictures of black inner sleeves. It's clearly a very odd thing to do, but I've started down this road and it would actually annoy me now if I knew I didn't have a photo of every sleeve, no matter how black they are. And yes, I have taken a picture of every one. I've not just taken on and re-used it. I am one of you remember and I know what you/we are like. Depeche Mode fans are very, VERY strange people and they'd complain if I tried anything on here. 

Side A of the record looks like this:

Side B is equally straightforward:

The limited edition 12" and final release from Songs Of Faith And Devotion, is a wonderful 6 track affair featuring six superb live tracks - In Your Room, Policy Of Truth, World In My Eyes, Fly On The Windscreen, Never Let Me Down Again and Death's Door. They are all bloody brilliant - the Devotional version of World In My Eyes is one of the band's finest live arrangements of all time and the live version of In Your Room makes your body shiver for hours after hearing it. Incredible. Depeche Mode are hugely underrated as a live band. This record shows just how good they were then. The cover is all lightbulbs, all the time. Here's the front:

Here is the back:

The really quite lovely cover art is one thing, but can you cope with ANOTHER deluxe inner sleeve? You can? Ok, here's one side of it

and here's the other:

The inner sleeve equivalent of a 5 night all inclusive break in a 7 star Dubai hotel. The labels on the record are gorgeous. Here's Side A:

and here is Side B:

Beautiful. As with the Violator singles' cover art, everything about the Songs Of Faith And Devotion cover art is superb with so much thought being given to every aspect of it, deluxe sleeves aside. The recreation of every aspect in this boxset is tremendous work.

I should say that the records sound superb too.

As with other boxsets there is an extra but, sadly, the only extra here is an admittedly lovely reproduction of a promo poster for Walking In My Shoes:

Perhaps we were spoiled with the incredible extras with the Violator boxset, and I'm perhaps being a bit too greedy, but an additional record such as a reproduction of the Rush  12" promo would have been a cool addition. It's a nice rarity from the era like the World In My Eyes promo reproduced last time, The lack of an other extras doesn't detract from how fantastic this boxset is mind you. I think if anything we may have been too spoiled by the last box.

Finally, there's a download card. 

The whole 12" reissue series has been incredible and a real joy throughout. The Violator box was going to be a hard act to follow, but this boxset is very much up to the task. It recreates the original releases perfectly and, when enjoyed and appreciated as a whole, it reminds us just how good Depeche Mode were in 1993.