It's been a while since I last posted and it's also been a while, nearly eight years in fact, since the Museo was last open. Eight years? There have been two Depeche Mode world tours in that time. Anyway, the Museo has been refurbished, the exhibits polished and so here we are. Rather than look at a rare release this time, I decided to have a look at a few things I have that you can't play.
As you can imagine, I've accumulated a lot of Depeche related stuff over the years and, though much of it seems fairly strange, it's nice stuff to have. Here are a few highlights. This post will feature on the usual social media places, so please feel free to add you own there. These are in date order to give the post a pleasing symmetry.
1985 - SOME GREAT REWARD US TOUR CREW T SHIRT
From the front, this looks like a perfectly ordinary Depeche Mode t-shirt from the mid 80's. However, when you turn it over....
As you'll see, it's a T-Shirt that was provided to the crew on the tour. This is the genuine article and is very rare. I've not worn, nor will I, so it stays with the other, younger DM t-shirts in the drawer they share. Yes, of course I have a specific drawer for them.
1988 - CONCERT FOR THE MASSES FLYER
This again is the genuine item. A number of flyers for the legendary Pasadena Rose Bowl gig have been kept safe fro over 30 years and I was able to get my hands on one earlier this year. It's A5 in size.
1990 - VIOLATOR HMV SHOP DISPLAY
Not a lot to say about this one really. It's from HMV and was displayed in one of their shoips.
1993 - SONGS OF FAITH AND DEVOTION SHOP DISPLAY
You know where this one is going don't you? It's a SOFAD era cardboard display thing from a shop.
1993 - SONGS OF FAITH AND DEVOTION CANDLE
It was the early 90's and with Depeche Mode in their Songs Of Faith And Devotion phase, promo items took on the theme of the era. The American record company released this promotional candle so that fans could recreate Dave's dressing room of the time in their own homes. The candle came wrapped in cellophane. Mine still is and I thus far resisted the urge to light it to see if it smells of as Devotional gig. Also released around this time was a roll of packing tape (France) and some Walking In My Shoes baseball boots (do you see what they did there?). There was also one other things.
1993 - SONGS OF FAITH AND DEVOTION PROMOTIONAL INCENSE BURNER
This is another innovation by the band's American record company. The incense burner comes with a chain around it so that you can swing while performing acts of faith and devotion. There is a metal tag on it and that says Depeche Mode on one side as you can see above.
On the reverse of the tag we have the album title and the Sire and Reprise logos.
That's what it looks like when you open it up. They are near impossible to find in mint condition. If you get one of those, it should come in a box. Mine has very much been used though will polish up nicely if I ever get round to it.
1998 - THE SINGLES 86-98 PROMO CUBE
Like the shop displays, not really sure what I can add here. It's a cube and it promotes the album The Singles 86-98.
See?
2014 - DELTA MACHINE PRIVATE PLANE SEAT COVER
"What's in the package?"
"Erm..."
"Not another bloody record. Surely not. "
"NO! It isn't a record. Promise."
"It looks like one. What is it then?"
"It's really cool. It's a seat cover from the band's private plane on the Delta Machine tour. Genuine article too. There aren't too many of these. What do y....."
*other person leaves room*
2024 - MEMENTO MORI VIP GIFT BAG
For the band's Glasgow gig earlier this year, I went for VIP tickets. No idea why really as they cost money that could easily be better spent elsewhere but getting one meant I got a free gift. Exciting times. It starts with the toilet bag show above. But what is inside?
An eye mask and a candle is the answer.
That's the candle box there.
There's the candle tin. It says Depeche Mode on it as you can see. Thrilling.
And finally, the candle itself. It is cedar scented apparently.
There we are then - a trip around the stranger parts of my collection. Next time, I'll go back to looking at the band's rarer releases in worrying detail. Look out for that soon.
A record shop, October 2023. Two inevitably tattooed, vaping TikTok watchers pick up a box of records from a band the music press now tells them they should like. Suddenly, a man approaches, dressed almost entirely in black muttering about things being better when everything including him was younger.
"Watch out - here he comes."
"Oh for fuc....hello there Old Depeche Mode fan."
"Ah...is that a new Depeche Mode 12" boxset under your arm youngster? Depeche Mode 12" singles eh? I remember when the band actually remixed everything themselves, pressed the records, stamped EVERY sleeve individually and...."
"We know, we know, Old Depeche Mode fan. We've read the tedious blogs you people enjoy. It was all better when TV only had four channels, Dave wore sandals and Alan was in the band. WE KNOW."
"You may laugh young one, but at least then we had the BONGS. You modern collectors have no idea. It's all 88883758332 generic worldwide catalogue nonsense. Back when things were proper, we had a BONG, an LBONG and much more. You lot have no id...."
"FOR GOD'S SAKE SHUT UP. The BONGS are back old man, the BONGS are back."
*Old Depeche Mode man examines boxset*
"Oh my word...*wipes tear away*...it's true. The BONGS are back. We thought they'd been finished off with Personal Jesus 2011 but they're alive. Ok, from a collector's point of view it's infuriating madness. We've only just got over the "new" 12" thing which knocks our shelves out of whack in a mad way but this is different. It's a BONG. A NEW BONG"
"See Old Depeche Mode man? New things are ok. Modern takes on Depeche Mode can be a good thing."
"I see that now young one. Tell me, are the singles and remixes on this boxset throwbacks too? Are we back to the era of band produced extended versions? Please say it is so."
"Ah. Well.....sod that. LOOK AT THE BONGS. AND THERE'S A BLOODY STENCIL TOO!"
The new Depeche Mode boxset its out! This time, Delta Machine gets the 12" single treatment. There were originally only three 12" singles supporting this album, one for each single release, and frankly that was enough. As has been the case during this superb re-release series however, new 12" singles have appeared to ensure we have vinyl versions of sub-standard previously CD only remixes and this boxset is no exception.
As ever, before I begin to show you pictures, I must stress that the boxset is a lovely thing. The attention to detail that has been shown to the artwork and sound is wonderful and that can only be applauded. The free gift is odd but brilliant too, however we will come on to that.
The first single from Delta Machine was Heaven. As I subtly alluded to in the hilarious intro, the BONG numbers have returned for this boxset and that is a lovely thing. Ok, it's slightly rewriting history but, let's face it, we all moaned when they were removed, so we really should just shut up. When Heaven was released, it had a 12" with the catalogue number 88765 49171 1. It now has a BONG.
The front of 12BONG44 looks like this:
Just the same as the 2013 12" really. Here's the back:
It contains the same four remixes as the original 12". Hmmm.
The first new 12" in the box is L12BONG44. Here it is:
On Side A, we have two remixes of Heaven: Blawan Remix and Steps To Heaven Rmx.
On Side B, we have two more versions of Heaven: Matthew Dear Vs. Audion Vocal Mix and a Live Studio Version.
The new track here is the Live Studio Version and it's a nice treat. There are always thoughtful things added to these boxes and this is one of them. Compared to the remix horrorshow it sounds like the best thing Depeche Mode have ever done. Anyway, I sound like Old Depeche Mode man don't I?
The next Delta Machine single was the frankly laughable Soothe My Soul. There is a song that resolutely refuses to improve with age. Anyway, we had a 12" release with the memorable catalogue number 88883 73070 1. That has now become 12BONG45 and it looks like this:
Anton really earned his money with that artwork. The flip side (ask your grandfather or Old Depeche Mode man) looks like this:
The record "blesses' us with the same four tracks as the original 12".
A new L12 appears next, L12BONG45. The front of it can be seen below:
It's a new design instead of being based on LCD. The title is to the right of the big house on here. On Side A we have three remixes of Soothe My Soul: Tom Furse - The Horrors Remix, Billy F Gibbons and Joe Hardy Remix and Boris Delacroix Remix. I've just listened to these again. May God help me.
Here is the rear sleeve:
The three tracks here are: Soothe My Soul (Black Asteroid Remix), Soothe My Soul (Gregor Tresher Soothed Remix) and Goodbye (Gesaffelstein Remix). The latter track appeared on the original CD1 release in 2013. As with all Depeche Mode singles, in fact as with what feels like all Depeche Mode releases, I reviewed all these remixes so that you don't have to listen to them. Read all about it here: http://almostpredictablealmost1.blogspot.com/2021/12/depeche-mode-singles-1981-to-2021-part.html
The final Delta Machine single was Should Be Higher. The original 12" catalogue number 88883 75834 1 has been rebranded as 12BONG46. The front looks like this:
In my original review of the single, I boldly claimed that this was the worst set of remixes ever compiled on a Depeche Mode 12" but I stand corrected.
Yes. the six tracks here are almost inexplicably awful, but the new L12BONG46 listens to that, says "hold my beer in a Delta Machine tour cup" and gives us one decent remix and a radio version that is passable only because of the sheer madness of the remaining three tracks. The new 12" front cover looks like this:
Side A contains two "remixes" of Should Be Higher - Jim Sclavunos From Grinderman Remix and Little Vampire Remix. Lordy.
Side B:
Should Be Higher (MAPS Remix) - a GOOD remix thank any Lord you want to thank
Should Be Higher (Jim Jones Revue Remix) - an actual pisstake
Mercifully, we move away from the musical content of these otherwise lovely records. Bizarrely but brilliantly, this boxset contains a personalised stencil:
Now, last time, I praised the Sounds Of The Universe boxset for going so far as to personalise records labels for me, but an actual stencil! That is very generous. Many of you don't open your boxes but I am assured that if you do, your own initials will be there in stencil form for you to graffiti wherever you please.
Excuse me a second. My phone's ringing.
"Hello? Oh wow, hello Mute. And Sony too? This is tremendous. How are you both?.... What's that? Oh yes, I see. It was only really a laboured joke that I barely got away with last time so I'm sure no-one will...no?... Really? ....That seems harsh....Oh you're serious. I see. Thanks. Bye now."
The stencil represents the DM logo used for the Delta Machine era and his in fact not personalised in any way.
Cool thing though isn't it?
The box also contains a reproduction poster. This one cruelly reminds us that Soothe My Soul appeared as a single:
Finally, for anyone who still downloads things, there's a download card:
And there we have it. Welcome back BONG. There can surely only be a couple of boxsets left unless the previously missed 12" singles are compiled into one giant series ending box. That would of course be tremendous and would please all Depche fans, Old and New immensely.
The third and final single from Delta Machine was released as the tour entered its final few weeks. Should Be Higher is a Dave penned track (with the assistance of Kurt Uenala) and is the third Depeche Mode single co-written by Dave after the wonderful Suffer Well and Hole To Feed.
As with the album's two previous singles, we got three official formats, no promos, some "will this do lads? I've got a Joshua Tree anniversary tour to actually start designing things for and I can't be arsed" art from Anton and the worst set of remixes on one 12" in Depeche Mode's history.
With that build up, you'd be mad to stop reading now.
YOU'LL JUST HAVE TO PRAY - SHOULD BE HIGHER
The Single
Should Be Higher was released on 11th October 2013 in Germany, 14th October in the UK and France and on 15th October in North America. 3 days, 3 times the fun.
The Quietus liked the song when it previewed the album track by track:
"It starts off as the murkiest track yet with a purposeful 4/4 whip-crack beat. There's now no doubt that Delta Machine is the the darkest and most violent Depeche Mode material in years. Lyrically, the title and lyrics of holes in infected arms and lies , succumbing to bliss and so on suggest another addition to the DM canon of songs that might be about smack, or love, or both. There's another sky-straining chorus that makes this brilliant stadium pop, and yet more evidence of the weakness of the Anglo Saxon ear. Across Europe, from Volgograd to Turin, Helsinki to Lodz they'll come in their thousands for songs as mighty as this... while here in Britain we like to watch Coldplay and Muse. The disgrace of our nation."
I can't fault the Coldplay hating right enough. DIY Magazine said:
"The pace subsides, for a couple of minutes, in the waltzing brooding sway of ‘Should Be Higher’, an effortless and sombre build-up to a swirling and hypnotic pay-off. Martin Gore lends his backing vocals perfectly as he does throughout the album, creating beautiful contrasts with Gahan, as well as stunning harmonies."
Pitchfork was, naturally, scathing:
"As for Gahan's own songs-- this time, their music is by Kurt Uenala-- they're generally a reasonably convincing imitation of middling Gore. His Should Be Higher is yet another on the pile of ex-junkie lyrics"
One day music journalists will write about Dave and Depeche Mode without talking about drugs.
Anyway, the initial reviews of the song were mainly positive and I recall many people liking it at the time. The band of course neglected to promote it in anyway and thus it only hit number 81 in the UK charts. Ok, that's 7 places higher than Soothe My Soul, but it's hardly a chart smash.
The song is on ok song I suppose, but that's a problem Depeche Mode have suffered from since Sounds Of The Universe - a lot of the songs are just ok. It's an inoffensive enough track but it's just not really all that good. I would have preferred that the band were braver when choosing the inevitable Dave single from the album as Broken would have been a much better choice and one that might even have had a chance of charting and getting some exposure. Obviously, it would have been destroyed when remixed but it would have made a decent single.
Should Be Higher was a fixture on the Delta Machine tour, using the various arenas' lights to full effect and, unusually for the, erm, challenging films Anton produced for this tour, the backing film was rather nice too. It was played 92 times on the tour, last appearing in Turin on the 18th of February 2014.
The Video
The video is a live version of the song, directed by Anton Corbijn with footage taken from the Delta Machine shows in Berlin, Leipzig and Munich. The full impressive scale of the accompanying film is shown in full effect and we see the five standard things we've come to expect on Depeche Mode tours in recent years:
1. Christian playing drum fills where there is no need to do so
2. Peter massaging his keyboards. He has a unique playing style really that brings to mind Swiss Toni from The Fast Show ("playing keyboards for Depeche Mode is very much like making love to a beautiful woman Fletch")
3. Martin grinning. A lot.
4. Fletch fletching like only Fletch can fletch
5. A sweaty Dave twirling around, pulling faces as he sings looking like a man who forgot to go for a pee before going on-stage.
During the film that is playing on the screens we see the members of Depeche Mode setting fire to all their pictures of Alan Wilder and flinging them around the place to dramatic effect which is eye catching if slightly petty.*
*possibly untrue
The Formats
It's funny to look back on these blogs and see the occasional criticism of some early remixes. They had a lot to live up to back then so the odd bad one stood out. When you have, for example, the Split Mix facing off against the Tsangarides Mix of Never Let Me Down Again, there can only be one winner.
I've never really seen the point of the Tsangarides Mix you see, as it doesn't actually seem to do anything bar make a few parts of the song slightly different. Perhaps it is too subtle for me. What I would say however is that I would happily have the late Chris Tsangarides remix every single Depeche Mode song if it meant I didn't ever have to listen to whatever on earth the collection of utter tat masquerading as remixes on this release again in my life. Christ, this is a rough ride.
The first CD is the best of the bunch here, primarily because it features one listenable track and therefore has a 50% success rate.
The two tracks here are Should Be Higher (Radio Mix) and Should Be Higher (Little Vampire Remix Single Edit). The first one is the good one. The second one is not good. On the artwork side, the live shot on the back is nice.
Night follows day, four years silence follows the end of a Depeche tour and CD2 always follows CD1.
There are five remixes on this CD. Six. Two and, being generous, a half of them work, so we nearly get the 50% approval rating.
Here we go then:
1. Jim Sclavunos From Grinderman Remix. The good thing about Grinderman is the genius of Nick Cave and Warren Ellis. This remix is like a Grinderman track with all the genius removed. Did any member of Depeche Mode even hear this?
2. Little Vampire Remix. This longer version of track 2 on CD1 is actually ok but that may be because I'd just sat through track 1 of this CD
3. MAPS Remix. This is the star of this CD. It's a lovely, shimmery take on the song that actually remixes it rather than gives it a kicking.
4. Jim Jones Revue Remix. Genuinely terrible. There's no other way to put it.
5. Radio Mix. Presuming you haven't kicked your CD player to death, this track comes as a relief.
We've reached the 12". Because I feel I owe you all a duty to report on every UK release, I listened to this for the first time since the only other time I listened to it, just so I could tell what it's like. "It can't be as bad as you remember David, " I said to myself as I nervously removed it from the 12" section of my Depeche Mode shelves.
It was as bad, in fact, it was probably worse. What on earth is the point of this record? I wonder if my copy is actually defective as it appears to contain no Depeche Mode whatsoever in places and instead comes across like a collection of tracks by people who think they can operate modular synths but in fact can't. In the 90's there was a no doubt apocryphal tale put about by the Aphex Twin that when a record company courier came to his house for his remix of a Lemonheads track, he realised he'd forgotten so handed over the first DAT he could find. As we has the Aphex Twin, anything he touched would do and so the remix was used. Now, that may all be rubbish, but having heard this 12" I think the story has a new level of plausibility to it.
There are six remixes of Should Be Higher in total. Six. They are:
Side A
1. Truss Remix. This starts off badly, tails off in the middle and is dreadful by the end. A remix by the hapless current UK Secretary of State For Foreign Affairs Liz Truss would possibly have been better.
2. MPIA3 Definition. Firstly, that is a crap title. Secondly, this remix is surely a joke? The only note I have from when I listened to it is "Christ"
3. Keon Groenveveld Massive Remix. A massive waste of vinyl
Side B
1. Pangaea Dub Remix. By the time you get to Side B, you're questioning whether you still like music. This remix makes me hate everything.
2. Uberzone Remix. This is a good remix but that is only by comparing it to the surrounding horrr.
3. DJMREX Remix. Unlistenable
Seriously, if I ever look like I'm doing a "Let's look at Depeche Mode remixes" blog thing, please remove my access to the internet. I love Depeche Mode, they have brought me and will forever continue to bring me almost unexplainable levels of joy, but for the duration of this 12" which I think is around 76 hours, I wish I'd never heard of them.
Elsewhere, there were the two CD singles in the US, one in Taiwan, two UK promo CD-Rs and the usual digital download bundles so that you could take the Jim Jones Revue Remix wherever you went in case you met someone you hated or had to torture a prisoner.
And on that high note, the Delta Machine era releases came to an end. How on earth could they follow the worst 12" in their history? Would we ever see Depeche Mode again?
The tour ended in Berlin, there was a DVD of the Berlin gig and Dave did some Soulsavers stuff unlike after the Global Spirit Tour when...oh.
Anyway, they did come back and they were flag waving and fully bearded up. We'll take a look at that revolutionary return next time.
For the second single from Delta Machine, Depeche Mode decided to go back to the formula that served them so well with Personal Jesus and released a song that attempted to sound like it and failed spectacularly.
Add to that a fairly nondescript remixes, the lack of any form of promotion and the song not even being a regular on the tour and you've got a single that was never going to do that well at really.
I bet you're REALLY excited now. Let's take a look at it.
I'M COMING FOR YOU - SOOTHE MY SOUL
The Single
Soothe My Soul was released on several different days. It appeared digitally on 6th May 2014, on CD on either the 10th (Austria, Germany, Switzerland), 13th (nearly everywhere else) or 14th (North America) and on 12" on 10th June.
When the album was released, Soothe My Soul picked up a few mentions. The Quietus somewhat enthusiastically said:
"Another up-beat, techno-pop number, and this one is very much like a deconstructed VCMG in feel. Gahan has adapted to this well - "I come to your house / I break down the door" he thunders, and it goes all helicopters before... rather surprisingly... a bollock-busting stomper of a chorus drops in. Dave has the horn! Here he is! See those leather trousers stretch! "I'M COMING FOR YOU! THERE'S ONLY ONE WAY TO SOOTHE MY SOUL" he cries, rather cheekily. All credit is due to leaving the new 'Personal Jesus' right to the penultimate track of the album. A classic, classic Depeche Mode track, this, they've really pulled it off here."
I do that wildly enthusiastic thing when I hear new Depeche material too. Ask me again years later and the enthusiasm I once displayed has diminished somewhat in a number of cases. Clash Magazine said:
"Soothe My Soul’ provides an improbable sequel to Personal Jesus"
Music OMH also liked the song:
"Forthcoming single Soothe Your Soul sounds like Personal Jesus on viagra, pairing echoey verses with a frenetic industrial beat and cascading deluges of synthesizer. Again, the VCMG influence feels at the fore here – lending the track a rubberiness that fits like a glove to the pre-established Depeche aesthetic."
Fair enough then - people liked Soothe My Soul. My own review at the time the album was released said:
"12. Soothe My Soul
Some say genius. Some say the new Personal Jesus. Some say an absolute embarrassment. Blandly enough I again say it's ok with a top notch shout along chorus. Imagine yourself with friends at a Depeche show, drunk, jumping around and singing along - of course that's going to be good. The lyrics are a bit odd as it sounds like Martin's breaking into someone's house for some nookie but let's presume it's all metaphorical as I'm sure it is."
My earlier point about album release enthusiasm stands.
The single spent a huge one week in the UK charts, entering at number 88 and then heading off again. It did however get to number one in Hungary so that is something. It was played live 59 times on the Delta Machine tour, last getting an outing on 27th November 2014 at O2 World in Berlin. I don't think we'll hear it again. As an aside, it's a crap title for a song isn't it?
There was a B-Side of sorts too with CD 1 featuring Goodbye (Gessafelstein Remix), a semi interesting remix of the song removing all that blue guitar nonsense. This version has never been played live but Goodbye has, appearing 35 times on the Delta Machine tour. As with Soothe My Soul, Goodbye was least heard on 27th November 2013 in Berlin when it was shoehorned into the set for the DVD release. Remember Alive In Berlin? Has anyone watched that more than once?
The Video
It's hard to write much about this as it's a performance video of sorts with the bit of nudity thrown in for no purpose whatsoever. A naked woman lies in some sand while a snake slithers about her, Dave does his stage performance, Martin looks bored and Fletch fletches the fletch out of a synth.
That really is all there is to say about this - not even a Hole To Feed reference to be made. Apart from that one.
A chap called Warren Fu directed the video and he had this to say in an interview with imdv.com in April 2013 and yes I am doing this fill up the blog as there were only three formats and the remixes are mainly all a load of old tat:
Doug: How did you get involved with the project?
Warren: My rep Nicole O'Connellsent me the track and brief with the note: "It's a good one." I had been completely booked on a few projects at the time, but I had to give it a shot. Although I'm not the biggest die-hard Depeche fanatic, they were one of the first "cool" bands I had ever heard outside of mainstream pop. My older and younger brother are both super fans, so in a way, I also wanted to do this for them. (Actually, I did it for me, so I could rub it in their stupid faces.)
Doug: What was behind the use of the square aspect ratio and how was it executed?
Warren: I had been looking at a lot of large format film photography and glass plate negatives at the time, and I think that influenced my decision to try out something with a different aspect ratio. The song felt like a return to form for Depeche Mode, and I wanted to bring back the "sexy" aspect of their music. So it's the opposite of a wide-screen epic. It's confined, intimate, and voyeuristic, as if you're watching something you shouldn't be.
Macro photography was used in creating a visceral experience. The goal was to make you feel the sweat, tension, and hair standing on end. I also liked the idea of things becoming abstractions when they are in extreme close up, and the use of black and white also helps confuse the viewer as to what exactly they are looking at. I had the shots spinning so that the viewer loses a sense of what direction is up or down, and having the equal square aspect ratio reinforces this better than a widescreen. We actually had a super extreme close up of an "innie" belly button with shadows that created the optical illusion of a nipple poking out. It made too many people uncomfortable and I was asked to take it out. I wish I had kept it in.
Wait what were we talking about? Oh right, square aspect ratio. In order to achieve this, I invented a groundbreaking new technique called "cropping," where you cut out the excess image after you've shot it. I plan on recycling the unused image for another video called "Soothe My Sides."
Doug: How involved were Depeche Mode in the overall process? Was there a lot of discussion with them about the elements that would be in the video?
Warren: They are some of the most easy going artists I've ever worked with. We pretty much stuck exactly to the treatment I wrote and they just let me do my thing. We actually only had the band for three hours the day of the shoot. They were doing an interviews simultaneously and were allotted one hour to shoot each band member. I think we ended up with just enough footage to work with. During post, they only gave us one editorial note, and then the video was approved. I think that might be a record for me.
Doug: I've heard that Depeche Mode, when performing in their videos, is insistant on actually plugging in and playing their song. Was that the case for "Soothe My Soul"?
Warren: I got word of that too, so we brought an amp for Dave Gahan to plug his mic into. He sounded great on set, and it helped to really get him into his performance. I might have to start doing that for all future videos.
Doug: Did you guys use this effect in the video?
Warren: Yes. Cornstarch, water, and a giant subwoofer. We ran out of time at the shoot, so my brother (who happens to be a photographer) and I actually shot some pickups in my living room. It's an extremely loud and messy science experiment. It took a lot of experimenting to get the right sound frequency for the non-newtoninan fluid to react in that manner. Thank goodness the world wide web has everything. You simply Bing the words "various sound frequencies" and Bing goes to work and gets you the results you need, fast.
Doug: Depeche Mode fans seem to be vary passionate about the band, did you personally get a lot of fan feedback about the video?
Warren: Yes, most of it positive. However, there was one fan who felt the need to tweet me and tell me that I didn't "get" Depeche Mode and that she missed Anton Corbijn.
There is an extended version of the video too but let's leave it for now eh?
The Formats
The first physical release we got was CD 1. On the front we have a drawing of a house. Thrilling stuff.
The two tracks here are Soothe My Soul (Radio Edit) and Goodbye (Gesaffelstein Remix).The band feature on the back having a right laugh in front of the house we saw a drawing of on the front.
CD2's artwork is radically different from CD1 with both the house and the writing bigger on this sleeve. Come on Anton.
The CD itself is a different colour which is a real relief when you find yourself desperate to listen to a remix of the song, scrambling through your Depeche Mode CD mountain. "Phew," you cry, "it's the grey CD not the black one. Now I can get stuck into those sweet, sweet remixes."
And what of the 6 remixes? Well, I annoyed quite a few people last time by suggesting some remixes of Heaven were bad. Try this lot on for size:
1. Steve Angello vs Jacques Lu Cont Remix. How on earth did the use of "vs" become a thing? It suggests a clash of people not a collaboration. Anyway, remember the Jacques Lu Cont versions of A Pain That I'm Used To? Well this is not as good as them. It's fairly bland and nearly pointless
2. Tom Furse - The Horrors Remix - not much happens here.
3. Billy F Gibbons and Joe Hardy Remix - Firstly note the "and" which is much better than "vs." Secondly, that is a member of ZZ Top remixing a Depeche Mode song and I think that is rather splendid. The remix itself is fine with lots of ZZ Top type guitar appearing. Very different and rather fun.
4. Joris Delacroix Remix - bland, clubby nonsense. Next
5. Black Asteroid Remix - much more like it. Loud and very enjoyable
6. Gregor Thresher Soothed Remix - ok. Certainly the best Gregor Thresher remix of the song.
The 12" features four remixes of Soothe My Soul. Up there you can see Side A and its two tracks are:
1. Steven Angello vs Jacques Lu Cont Remix - see above
2. Matador Remix - nothing really happens here
The rear sleeve once again shows the lads having a whale of a time. STOP HAVING SO MUCH FUN DEPECHE MODE. The two tracks here are:
1. Destructo Remix - again, relatively pointless
2. Gregor Thresher Remix - not as good as the not that good other remix on CD 2.
These formats aside, there were official releases in Taiwan, once again the standard CD 2 single with a Taiwanese sticker on it and in the US where the two CD singles appeared. There was a European CD-R promo, two US CD-Rs and two UK CD-Rs too. Finally, everything was available digitally as we've come to expect by now.
That was Soothe My Soul then, a single that arrived, left and really didn't make much of a mark. Singles weren't really the band's concern in any event as the big tour was doing all the business Depeche Mode needed.
There would be one more single from the album and we'll look at that and its practical joke of a set of remixes next time.
