Showing posts with label Industrial. Show all posts
Showing posts with label Industrial. Show all posts

Thursday, 12 May 2016

YOUR SILENT FACE - RED RAIN EP


Manchester's Your Silent Face are back with Red Rain a new e.p. and the first on their own label Tethys Records. The e.p. is a feast of electro goodness and the title track is a collage of acid bass, pounding almost industrial percussion and precision techno that is quite wonderful. You hear bits of Kraftwerk, D.A.F, Nitzer Ebb and more throughout and, if any of those bands mean anything to you, you'll love this. What is cool about this release is the diversity of the tracks. Red Rain's 9 minute plus techno explosion gives way to the darker, more early electronics feel of Kleinian Transform which initially sounds a bit like Kraftwerk and Giorgio Moroder having a fight in an industrial club before they make up and start dancing. It should be said that that is a very, very good thing. Scorched Earth ends the release on a even darker note, with serious sounding walls of beautiful electronics part soothing you, part unsettling you. It's one of those electronic tracks that moves you despite the darkness and it's quite brilliant. Listen for yourself below


Red Rain e.p. is a treat for fans of any electronic genre from techno to ambient. Highly recommended.


Red Rain ep by Your Silent Face is out now and is available through their Bandcamp page, on Beatport and on limited edition 12" distributed by Rubabdub Records in Glasgow







Thursday, 21 April 2016

NAILBITER - FORMATS

Nailbiter is a solo project of Josh Korody from Beliefs, a band I've already gone on about many, many times on here. Whereas Beliefs music is indebted to shoegaze power of the likes of Ride and My Bloody Valentine, Nailbiter draws its influence from the great industrial sounds of the 80's and 90's, with Formats bringing to mind elements of Throbbing Gristle, Coil and Nine Inch Nails when they focus on crunching instrumentals. It's a brilliant album from beginning to end and it's currently the soundtrack to early spring in Glasgow.


A track like Splatter is a perfect example of how good this album is. Driving rhythms and beats combine with walls of electronic noise in an aggressive but curiously almost calming way - the same can be said of Concrete City too, which is another standout. It's an album that deserves attention basiscally, and if you like your electronic music experimental, edgy and, ultimately, loud, this is for you.



Formats by Nailbiter is available on Hand Drawn Dracula and through Nailbiter's Bandcamp page

Nailbiter Bandcamp https://nailbiter2.bandcamp.com/releases 
Nailbiter Facebook https://www.facebook.com/nailbitermusic